Paolo Veronese – (Carlo Ridolfi) prijašnji Sljedeći


Umjetnik:

Muzej: Staats- und Universitatsbibliothek (Gottingen, Germany)

Tehnika: Engraving

"By 1630, Poussin was moving towards the uncompromising statements about the moral condition of humanity that were to characterize his work. In that year he painted the Plague of Ashdod (Louvre, Paris), which sets the style and mood of his work for the next five years. The figures are interlocked in an extremely complex composition which appears somewhat disorganized; in depicting the Old Testament theme, in which the spectator is spared none of the horror, Poussin was trying to achieve accuracy. The following year he painted the Empire of Flora (Dresden, Gemäldegalerie), a more cheerful subject but with a similarly interlocking frieze of figures. It is round these two pictures, datable through documents, that the rest of Poussin's pictures supposedly painted around 1630 have to be grouped."

This artwork is in the public domain.

Umjetnik

Preuzimanje

Kliknite ovdje za download

Dozvole

Besplatno za nekomercijalnu uporabu. Pogledaj ispod.

Carlo Ridolfi – Najgledanije djela

Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.